If you look at this as a piece of art, of course there are going to be people who won’t “get it”, but that’s okay and it comes with every kind of art. I mean Van Gogh didn’t become big until after he died. If any artist was too worried about trying to please everyone all the time with every single piece, that’s a recipe for disaster. I mean I personally liked your Attention Deficit albums, but I’m sure that some people don’t and I’m sure that that might have bummed you out for a bit, but you just keep going.
The aforementioned “Friends,” “Unanswered Prayers,” “Two of a Kind, Workin’ on a Full House” and “The Thunder Rolls.” Oddly enough, in 2001, “Wild Horses” came from nowhere and hit the charts again at number 7. Sorry folks, as ashamed as we may be to admit it now, Garth was doing something right.
From the haunting rage of “Something In The Way” to the softer “Polly” and even the humorous (well, kind of) “Lithium,” Kurt Cobain’s lyrics live on as classics over a decade after his death. While heavy guitar grunge rock was still at its peak, Beck decided to buck the trend and give us something bigger than anything we’d ever heard before.
189 Responses to Art Imitating Music
I plopped Master of Puppets in my car cassette player and knew right away what that was.it didn’t interest or concern me. I’d heard brilliant bands use metal tones and make far more original music. Live skull, Rat at Rat R, Mighty Sphincter, Die Kreutzen, Ruin etc.
Metallica hadn’t sounded this focused and intense in ages. Metallica scheduled the release of Death Magnetic as September 12, 2008, and the band filmed a music video for the album’s first single, “The Day That Never Comes”. The band’s third album, Master of Puppets (1986), was described as one of the heaviest and most influential thrash metal albums.
And far more honest. Metal musicians generally lack groove.
“Sin City” is Aerosmith guitarist Joe Perry’s favorite AC/DC song. “Kicked in the Teeth” was covered by Nashville Pussy on their album Eat More Pussy and also available on the bonus CD of Let Them Eat Pussy.
It doesn’t follow any set of rules and this is what art should be all about. underneath that blanket? Mr. Skolnick, with all due respect, to invalidate that which is even clear to yourself, then have the mitigated gall to call Enemy of Style ignorant is horribly cruel.
2003’s Elephant sort-of picks up where White Blood Cells left off, showcasing the eight-track garage-rock The White Stripes pride themselves on, but then evolving the band to new maturity with softer, acoustic songs such as “You’ve Got Her In Your Pocket” and “In The Cold, Cold Night.” The Stripes even get into interesting musical experimentation here with Jack creating the bass line on “Seven Nation Army” entirely on guitar (though you’d never know) and the Blues into rock transitions in “Ball and Biscuit.” And just the fact that they cover a Burt Bacharach song, “I Just Don’t Know What To Do With Myself,” which they tear apart and then make their own, makes the album worth of praise. Full of messages of loss, aging and death, Automatic For The People marked a significant change for R.E.M., who had spent most of their career as alterna-pop darlings with songs like “Orange Crush,” “Losing My Religion,” and “It’s The End Of The World As We Know It.” This album, however, contains more folky, reflective tracks, such as “Everybody Hurts” and “Nightswimming,” which show us the band has become aware of its own mortality.
Even if you weren’t a Metallica fan in ’86, this was one of the most important years of the band’s history. Ooooh! Yeah heh-ah! For current Metallica members we’ve saved the best for last!
For the most part, they succeeded at that lofty goal. Death Magnetic marked bassist Robert Trujillo’s first turn on a full-length effort with Metallica (Bob Rock played bass on St. Anger), and the music was daring and brutal, with a welcome complexity that made the songs’ length and breadth feel completely warranted. Getting to the moment of collective explosion that ends the album requires that they go through every halting and craggy moment of the speedy “My Apocalypse”.
To discuss Lulu without dissecting heavy metal culture is to overlook the central gist of what Lulu, intentionally or unintentionally has done best. Lulu, for me, has done (if nothing else) an excellent job of exploiting the type of people who subscribe to heavy metal culture. Does it detract from the content found in heavy metal music? Yes, when you consider that which is most critically acclaimed amongst connoisseurs of the genre ‘succeeds’. Though, in all fairness, ALL genres (like all religions and institutions themselves) cater to lesser minds.
It was slow, dark, painful and all round negative but I’m pretty sure that what it was trying to portray. I’ve come to the realisation that this album is supposed to be disturbing just like the play.
If more people defied the markets which house our consumerist habits we might actually come close to achieving the epic rennaisance spirit of much of 60’s music. This is a really good thing. This alone should make Lulu a awesome entry into the world of music.
Love. I think the easiest thing to say is what an awful album Lulu is, But trying to really understand what it tries to achive is a whole different story.